Performance will vary based on the speed of your computer. Page 59 Audition handles audio data. Most processing done by Adobe Audition uses arith- metic greater than bit, with the results converted back to bit when complete. During this conversion, dithering provides a higher dynamic range and cleaner results, with less distortions and negative artifacts. Page 61 When pasting different sample formats, Adobe Audition Auto-Convert Settings For Paste uses these settings when auto-converting the clipboard to the current sample format.
Valid settings range from 30 to Downsampling Quality Level: Enter a value 30 to for downsampling quality. Page 62 Cancel button while in the middle of applying an effect to a waveform. When selected, Adobe Audition leaves the effect applied to all data processed up until the point you clicked Cancel. When deselected, Adobe Audition automatically removes the effect on already processed data when you click Cancel.
This option allows for some measure of near sample-accurate synchronization across different sound cards or a situation where a single sound card uses different clocks for playback and recording. By default Adobe Audition uses a paging method of scrolling in Multitrack View instead of the smooth scrolling technique used in Edit View.
This saves on system resources. Page 66 Use the Status Bar to monitor the amount of free disk space. Page 67 Cancel Last Operation. This option is useful only if the dialog box automatically appeared because you ran out of storage space. Page 70 Determines the number of unique amplitude levels Adobe Audition can use Resolution to represent a sound.
The bit level is best while you work in Adobe Audition, and you convert down for output if necessary. Page Inserting Audio Files Into Multitrack Sessions For example, if the current session uses tracks , Adobe Audition appends tracks 5 and greater and places them at the beginning of the timeline.
If desired, you can then move clips in appended tracks to a new position. Using the Open command is the quickest method and is preferred for ripping entire tracks. Using the Extract Audio From CD command gives you more control, such as the abilities to rip partial tracks and specify the ripping process used. This method is called internal recording. Keep in mind that not all PC's have an analog cable from a CD drive, and not all computers react the same way when recording from CD internally.
Start playing the loudest part of the CD. Use the Level Meters in Adobe Audition to monitor the amplitude of the incoming signal. Monitoring time Adobe Audition provides several features to help you monitor time during recording and playback. The playback cursor—a vertical, white line that appears in the display window— shows you the current time in the waveform. The Time window shows the current time in numerical format.
Playback cursor B. Timeline C. A check mark indicates that the window is visible. Using the transport controls Just like many hardware-based audio recording and playback devices, Adobe Audition provides transport controls for playing, recording, stopping, pausing, fast forwarding, and rewinding waveforms and sessions. Page Recording Audio Note: You may need to adjust the input signal to obtain the optimum recording and signal-to- noise levels.
By default, Adobe Audition displays waveforms in real time while recording. However, if the recorded audio is choppy, deselect Live Update During Recording in the General tab of the Settings dialog box.
Enter the starting time and date in the appropriate text boxes, and set the desired time and date options. Click the Record-enable button To simultaneously record on multiple tracks, repeat steps for each track. Page 84 Note: By default, the display window scrolls in sync with playback that extends beyond the visible section of a waveform. In the General tab of the Settings dialog box, you can set options for auto-scrolling or you can disable this feature. Using preroll and postroll during playback Edit View only In Edit View, you can play back the audio just before and after a selected range.
Page 85 Use the volume slider to adjust the volume of the preview. To enable auto-play: Click the Auto-play button on the Files tab. To disable auto-play, click the Auto-play button again.
Monitoring recording and playback levels Adobe Audition provides the Level Meters to help you monitor the amplitude of the signal during recording and playback.
If the amplitude is too high, clipping occurs and results in distortion; Yellow peak indicators remain for 1. Page 89 The peak can still be reset manually at any time by clearing the clip indicators that is, by clicking the clip indicator at the right.
Instead, you can adjust these levels with the mixer appli- cation that comes with the sound card or with the mixer built into Windows. For example, you can show or hide grid lines in Waveform View and change the resolution in Spectral View. Adobe Audition provides several methods for making and adjusting selections. Using cues ranges can save you time when making selections. Drag near the bottom of the right lower channel. User Guide Each time you choose this command, Adobe Audition adds the next beat to the selection.
This command is especially handy for working on audio for CD. You can access snapping commands by right-clicking the timeline. Page Copying, Cutting, Pasting, And Deleting Specifying which channel of a stereo waveform to edit By default, Adobe Audition applies selections and edits to both channels of a stereo waveform. However, you can easily select and edit just the left or right channel of a stereo waveform. Page Inserts audio at the current location or selection, replacing any selected data.
If no Insert data is selected, Adobe Audition inserts audio at the cursor location, moving any existing data to the end of the inserted material. Mixes audio at the selected volume level with the current waveform. If the audio Page Deleting audio data Adobe Audition provides two methods for deleting audio: The Delete Selection command lets you remove a range from a waveform, whereas the Trim command lets you remove unwanted audio from both sides of the selected audio.
A point refers to an exact position within a waveform for instance, A range has both a start time and an end time for example, all of the waveform from Choosing a cue type Adobe Audition provides four cue types. Consider the following when Page End or Length text box. Merging, converting, and deleting cues Adobe Audition lets you merge cues, and it also lets you convert point cues to range cues, and vice versa. Page Options button is enabled. Click this button to select options.
Adds silence between cue points in the waveform. Page In the Signal Is Above text box, enter the amplitude value in decibels you want Adobe Audition to consider as the minimum level for audio. In the For More Than text box, enter the duration in milliseconds of this minimum amplitude.
Suggested values appear in the appropriate text boxes. Removing silence is useful for cleaning up voice prompts and speeding up narratives without affecting the foreground audio. Creating silence Adobe Audition provides two ways to create silence in a waveform: by muting part of the existing waveform or by inserting a new duration of silence.
Page To delete silence: If you want to delete silence from part of a waveform, select the desired range of audio data. Page Determines what Adobe Audition considers audio. In the For More Than text box, enter the duration in milliseconds of this minimum amplitude value. Generating audio Adobe Audition provides several commands that let you generate new audio data.
These commands are different from effects in that they insert new sounds into a waveform rather than alter existing sounds. Page Generating noise is useful for creating soothing sounds like waterfalls perfect for use with the Binaural Auto-Panner function of Adobe Audition and for generating signals that can be used to check out the frequency response of a speaker, microphone, or other audio system component. Page Intensity noise becomes more erratic and sounds harsher and louder.
Determines the number of seconds of noise that Adobe Audition generates. Page Converting The Sample Type whether the waveform is mono or stereo. You can convert the sample type to change any of these attributes.
Page Enter a sample rate in the text box, or choose a common sample rate from the list. Click OK. Note: Although you can create and edit any sample rate in Adobe Audition, your sound card may not be capable of playing it properly. When converting to a lower bit depth, Adobe Audition provides dithering options to help reduce noise and distortion.
Although dithering intro- duces a small amount of white noise, the result is far preferable to the increased distortion that you would otherwise hear at low signal levels. Page You may also specify that no noise shaping is used. Enables or disables dithering. If dithering is enabled, Adobe Audition Sets the bit amount of dithering to be applied.
In general, values of 0. Alternatively, click the Convert Sample Type button in the toolbar. Adjust the settings as desired. Click Save As, type a name for the preset, and click OK.
To delete a sample rate conversion preset: Choose the preset from the list, and click Delete. These analysis options are particularly helpful when used in conjunction with the many enhancement and restoration effects in Adobe Audition. Page In Edit View, select or play a range of the waveform. Page Click this button to scan the highlighted selection and show all frequencies present Scan in that selection.
By default, Adobe Audition analyzes only the center point of a selected range. To analyze the overall frequency of a selected range, click Scan.
Page To zoom in on a particular area of the Phase Analysis graph, use the horizontal and vertical rulers.
Normalize Select from the following options: Display menu Page RMS formula. Use the Histogram tab to identify prevalent amplitudes, and then compress, limit, or normalize them with an amplitude effect. Select Left or Right to display either the left or right channel in the foreground. To view numerical waveform statistics: In Edit View, select an audio range. Page Removing Noise 5 to Run Size is the second most important parameter.
A setting of about 25 is best for high-quality work. Level of detected clicks and pops B. You can access these settings in the Display tab of the Settings dialog box. Most clicks appear as bright vertical bars that extend from the top to the bottom of the waveform display. To reduce hiss: In Edit View, select an audio range. Set the desired options. Using the Noise Reduction effect Edit View only The Noise Reduction effect dramatically reduces background and broadband noise with a minimal reduction in signal quality.
This effect can remove a wide range of noise, including tape hiss, microphone background noise, cycle hum, or any noise that is constant throughout a waveform. Use this effect to remove very narrow frequency bands, such as a 60 Hz hum, while leaving all surrounding frequencies untouched.
Page measured in degrees or group delay measured in milliseconds , depending on whether the Phase or Delay option is selected. Group Delay milliseconds B.
In Effects tab of the Organizer window, expand Amplitude, and double-click Envelope. You can use this effect to limit or compress dynamic range, producing a consistent level of perceived loudness.
In the Effects tab of the Organizer window, expand Amplitude, and double-click Normalize. You can add subtle or psychedelic audio effects, and you can even correct the pitch of an out-of-tune singer.
Page As a result, you can use this effect to bring up the volume of the vocals, lead bass, or kick drum or remove any of them from the stereo mix. Using the Doppler Shifter effect Edit View only The Doppler Shifter effect creates the increase and decrease in pitch we notice when an object approaches and then passes us, such as when a police car passes with its siren on.
You can also use it to create some truly out-of-this-world special effects. Adobe Audition uses a direct-simulation method of achieving a chorus effect, meaning that each voice or layer is made to sound distinct from the original by slightly varying the timing, intonation, and vibrato. The resulting sound has a phase-shifted, time-delay effect, characteristic of psychedelic recordings of the s and s. For example, the Pitch Correction effect can correct an out-of-tune vocalist or instrument, and the Stretch effect can stretch or shrink audio without altering pitch or tempo.
If you add the dynamic delay or Dynamic EQ, which has a similar principle to Multi- track View, you get a new envelope that determines the delay.
Page The number of echoes is adjustable up to , Keep in mind that the more echoes you include, the more time Adobe Audition needs to process the effect. You can create a spatial, stereo expansion effect by setting the virtual microphones farther apart than your actual stereo speakers.
However, they give an impression of space. With Adobe Audition, you can customize the reverb and replicate a variety of room environments. For slightly faster processing and more control, you can also use the Studio Reverb effect.
Page To get a feel for Convolution, open and play with some of the sample Impulse. While this function is far from a complete MIDI authoring studio, it provides a quick and simple way to put a sample to music.
Note: This selection must be under ten seconds long. Page Split points are determined by the crossover frequencies you specify. Each copy of the waveform is placed in its own track in the session window. You can then edit or apply effects to each band separately. Page CHAPTER 6 Applying Stereo, Pitch, and Delay Effects For example, using the default setting of three bands with crossover values of and creates three copies of the selected waveform: one with the frequencies of the selected wave from 0 to Hz, one from to Hz, and one from to Hz or whatever the maximum frequency present is, based on the sample rate.
Page Note: If you select a range by dragging across a clip, that clip is selected by default; if you Ctrl- click the clip, you will deselect it. In the Effects tab of the Organizer window, expand Multitrack, and double-click Vocoder.
Page Working With Sessions You can base new sessions on the default session, borrowing default settings such as device Page Click OK. Setting the default session After you set a default session, it opens when you start Adobe Audition. The default can also serve as a template for new sessions, letting you share settings such as device assign- ments and master volume levels across multiple sessions.
Page The Mix Gauge displays the progress of background mixing, a process that Adobe Audition completes whenever you edit a mix for example, by moving a clip or changing track volume. Longer settings allow for faster mix editing, but they might cause drop outs.
You can easily move clips to different tracks or timeline positions. You can also edit clips nondestructively, trimming their start and end points, crossfading them with other clips, and more. Alternatively, right-click any clip in the group, and choose Group Color. Select a color, and click OK. To align clips: Hold down Ctrl, and select the clips. Page Drag to edit clip edges. Alternatively, right-click the clip, and choose Full.
Page With the Clip Duplicate command, you can duplicate repetitions of a clip in a track without consuming additional disk space. You can also specify the spacing between each repetition. Crossfades consist of a fade out and a fade in over a transition region. Page You can quickly time stretch a clip either by dragging or setting time stretch properties. When you set properties for time stretching, you also specify which method of time stretching to use.
Page Working With Audio Tracks Working with audio tracks You can record and mix up to tracks in Adobe Audition, and each track can contain as many clips as you need—the only limit is hard disk space.
The track controls appear to the left of the track display, and you can resize these controls to be as wide or narrow as you wish. Though you can quickly access most of these options in the track controls, the Track Properties window offers channel and bit depth menus, and visual sliders for volume and pan.
Page Same For All Tracks. To specify an output device for a track: In the track controls, click the Out button. Select a hardware output from the Devices list or a bus output from the Busses list. Setting track channel and bit depth To set the channel and bit depth for a track, use the Track Properties dialog box.
Track Properties dialog box with channel menu revealed and bit-depth menu highlighted To set channel and bit depth for a track Note, however, that saved sessions store only changes made in Adobe Audition; be sure to also save any changes made in the ReWire slave application. If the Organizer window is closed, right-click the FX button in the track controls, choose Rack Setup, and add the effect in the Effects Rack dialog box.
Page To change the ratio of dry to wet sound that the track outputs, move the Dry Out slider and the effects sliders. To combine effects in serial or parallel groups, click either Serial or Parallel. Page Automating Mixes With Clip Envelopes After you apply real-time effects to a track and edit them, you can lock the track to save processing power for other mixing tasks—an important consideration for complex mixes. Adobe Audition stores locked tracks in the background mix, removing them from the CPU load.
Page To move all control points up or down by the same amount, hold down Alt while you drag. However, some synthesizers are programmed so that velocity changes pitch or harmonic content. Page To automate volume and pan changes over time, use clip envelopes. The Track Mixer A. Open Adobe Audition 2. Select Edit View. Hit the Record Button red circle button in the lower left 4. Select , 16 bit, Stereo. Set your levels Push the Mic pot up on the board, Turn down the speaker, talk directly into the microphone.
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